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- EYBLER QUARTET’S MASTER TAKE ON HAYDN & JULIA WEDMAN’S MEMORABLY PROBING SONATAS AND PARTITAS OF BACH ….. RECENT PLEASURES IN THE ARTS: NOVEMBER 2024
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- ANNA-JULIA DAVID: SOPRANO HAS “A DREAM COME TRUE” AS SHE DEBUTS WITH OPERA ATELIER AS AMOUR IN GLUCK’S ORPHEUS AND EURIDYCE – OCTOBER 26 TO NOVEMBER 1 AT TORONTO’S ELGIN THEATRE
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- What an Album Release! - Frank Horvat on FRANK HORVAT: “FOR THOSE WHO DIED TRYING” – COMPOSER’S NEW CD ON ATMA, WHICH WAS INSPIRED BY “THE MURDER OR DISAPPEARANCE OF HUMAN RIGHTS ACTIVISTS IN THAILAND,” EXPLAINS, “THE 35-MOVEMENT STRING QUARTET HONOURS EACH VICTIM”…..A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Christos Hatzis on TIM CORLIS: COMPOSER OF SOUNDING THUNDER: THE SONG OF FRANCIS PEGAHMAGABOW, AT TORONTO SUMMER MUSIC FESTIVAL ON JULY 23, REMEMBERS, “THE BIGGEST TURNING POINT IN MY LIFE WAS WHEN I MADE A DECISION TO MEDITATE REGULARLY AND DEVOTE MY ARTISTIC TIME TO WRITING MUSIC THAT SPEAKS FROM THE HEART” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- catherine thompson: canadian long rider, instrument maker, musician, composer, performer, visual and material artist, now in the mountains of northern thailand, declares “it’s important to not get too too comfortable and, in that, whenever possible, i on CATHERINE THOMPSON: CANADIAN LONG RIDER, INSTRUMENT MAKER, MUSICIAN, COMPOSER, PERFORMER, VISUAL AND MATERIAL ARTIST, NOW IN THE MOUNTAINS OF NORTHERN THAILAND, DECLARES “IT’S IMPORTANT TO NOT GET TOO TOO COMFORTABLE AND, IN THAT, WHENEVER POSSIBLE, IT IS VALUABLE TO REMEMBER WHAT IT FEELS LIKE TO BE DIMINISHED, TO BE UNCOMFORTABLE, TO BE IN DANGER.” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Tafel Fan on Contact
- Dudlow on ABIGAIL RICHARDSON-SCHULTE: AWARD-WINNING COMPOSER-IN-RESIDENCE OF THE HAMILTON PHILHARMONIC DECLARES “WHAT CONCERNS ME IS POP CULTURE REPLACING THE ARTS AS CULTURE, THE DECLINE OF MUSIC EDUCATION IN SCHOOLS, AND THE AGING OF CLASSICAL MUSIC AUDIENCES…A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
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Category Archives: Interviews from Music
NURHAN ARMAN: CONDUCTOR OF SINFONIA TORONTO AND MAESTRO ON FOUR CONTINENTS: A REVIEWER’S INTERVIEWS WITH PEOPLE IN THE ARTS
James Strecker: Please tell us about one or more projects that you have been working on, are preparing, or have recently completed. Why do they matter to you and why should they matter to us? Nurhan Arman: Throughout this summer … Continue reading
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Tagged Nurhan Arman, Sinfonia Toronto
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JAMES EHNES: AN INTERVIEW WITH THE ACCLAIMED VIRTUOSO VIOLINIST DUE TO APPEAR WITH THE TORONTO SYMPHONY ON JUNE 9, 10, 11
Photo: Benjamin Ealovega James Strecker: You are certainly a presence as a musical figure in the media. Your concerts, recitals, and recordings are frequently reviewed and you often participate in detailed and probing interviews and presentations. Does your existence as … Continue reading
LEILA JOSEFOWICZ: AN INTERVIEW WITH THE CELEBRATED VIOLINIST AND PROMOTER OF NEW MUSIC, DUE TO PERFORM A CANADIAN PREMIERE WITH THE TORONTO SYMPHONY IN TORONTO, OTTAWA, AND MONTREAL IN MAY
James Strecker: You’re widely respected as a champion of new works –compositions by Adams, Ades, Knussen, and conductor-composer Esa-Pekka Salonen, to name a few- so please tell us what such works bring that is distinctive to the canon of violin … Continue reading
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ANGELA HEWITT: AN INTERVIEW WITH “THE PRE-EMINENT BACH PIANIST OF OUR TIME” JOINING THE TORONTO SYMPHONY FOR THREE CONCERTS ON APRIL 13, 14, 16 IN TORONTO AND APRIL 15 IN ROCHESTER
James Strecker: You’ll be in Toronto and Rochester in April to perform the Bach Piano Concerto in F Minor BWV 1056 and the Bach Piano Concerto in D Minor BWV 1052. To begin, I’d love to know what each concerto … Continue reading
DIANA PANTON: AN INTERVIEW WITH THE CANADIAN JAZZ SINGER ON HER JUNO-WINNING CD “RED, HER LATEST CD “I BELIEVE IN LITTLE THINGS” AND ITS 2016 NATIONAL PARENTING PRODUCT AWARD
James Strecker: Much has been written about the uniqueness of your voice and its emotional flexibility and truth with a lyric, so let’s ask you yourself to describe your voice and how you use it -in language that feels right … Continue reading
BRETT DEAN: THREE MAJOR WORKS BY THE CONTEMPORARY AUSTRALIAN COMPOSER, VIOLIST AND CONDUCTOR ARE FEATURED AT THE TORONTO SYMPHONY’S 2016 NEW CREATIONS FESTIVAL. HERE HE DISCUSSES EACH WORK AND HIS CREATIVE LIFE.
Photo by Pawel Kopczynski James Strecker: The Toronto Symphony’s New Creations Festival this year features your Viola Concerto, your Trumpet Concerto, and a suite of excerpts from your 2010 opera Bliss. I’d like to give our readers the special privilege … Continue reading
HARRISON KENNEDY: A CHAT WITH A BLUESMAN WHOSE PAST INCLUDES FOUR YEARS WITH CHAIRMEN OF THE BOARD AND WHOSE PRESENT INCLUDES A 2016 JUNO NOMINATION
James Strecker: Harrison, your CD ‘This Is From Here’ has been nominated for a Juno as Best Blues Album of the Year. As its creator, what do you especially like about the album and what about it satisfies you the … Continue reading
GEMMA NEW: AN INTERVIEW WITH THE NEW MUSIC DIRECTOR OF THE HAMILTON PHILHARMONIC, ASSOCIATE CONDUCTOR OF THE NEW JERSEY SYMPHONY, FOUNDER AND DIRECTOR OF THE LUNAR ENSEMBLE, PRINCIPAL CONDUCTOR OF CAMERATA NOTTURNA, AND GUEST CONDUCTOR EVERYWHERE
James Strecker: One of your mentors, Gustav Meier, once told me that he took exception to a remark made by Leonard Bernstein, I think it was, that when he was conducting he felt like the composer of a given work. … Continue reading
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DICK GAUGHAN: AN INTERVIEW WITH THE RENOWNED SCOTTISH SINGER, GUITARIST AND SOCIAL ACTIVIST WHO APPEARS AT HUGH’S ROOM IN TORONTO WITH JASON WILSON ON SEPTEMBER 26
Jason Wilson & Dick Gaughan James Strecker: I was astounded to read that, because of the political nature of some of your material, folk festivals refuse to book a musician of your stature and quality. What brought this restrictive situation … Continue reading
Posted in Interviews from Music, Uncategorized
Tagged Dick Gaushan, Hugh's Room, Jason Wilson
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