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- ANNA-JULIA DAVID: SOPRANO HAS “A DREAM COME TRUE” AS SHE DEBUTS WITH OPERA ATELIER AS AMOUR IN GLUCK’S ORPHEUS AND EURIDYCE – OCTOBER 26 TO NOVEMBER 1 AT TORONTO’S ELGIN THEATRE
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- What an Album Release! - Frank Horvat on FRANK HORVAT: “FOR THOSE WHO DIED TRYING” – COMPOSER’S NEW CD ON ATMA, WHICH WAS INSPIRED BY “THE MURDER OR DISAPPEARANCE OF HUMAN RIGHTS ACTIVISTS IN THAILAND,” EXPLAINS, “THE 35-MOVEMENT STRING QUARTET HONOURS EACH VICTIM”…..A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Christos Hatzis on TIM CORLIS: COMPOSER OF SOUNDING THUNDER: THE SONG OF FRANCIS PEGAHMAGABOW, AT TORONTO SUMMER MUSIC FESTIVAL ON JULY 23, REMEMBERS, “THE BIGGEST TURNING POINT IN MY LIFE WAS WHEN I MADE A DECISION TO MEDITATE REGULARLY AND DEVOTE MY ARTISTIC TIME TO WRITING MUSIC THAT SPEAKS FROM THE HEART” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- catherine thompson: canadian long rider, instrument maker, musician, composer, performer, visual and material artist, now in the mountains of northern thailand, declares “it’s important to not get too too comfortable and, in that, whenever possible, i on CATHERINE THOMPSON: CANADIAN LONG RIDER, INSTRUMENT MAKER, MUSICIAN, COMPOSER, PERFORMER, VISUAL AND MATERIAL ARTIST, NOW IN THE MOUNTAINS OF NORTHERN THAILAND, DECLARES “IT’S IMPORTANT TO NOT GET TOO TOO COMFORTABLE AND, IN THAT, WHENEVER POSSIBLE, IT IS VALUABLE TO REMEMBER WHAT IT FEELS LIKE TO BE DIMINISHED, TO BE UNCOMFORTABLE, TO BE IN DANGER.” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Tafel Fan on Contact
- Dudlow on ABIGAIL RICHARDSON-SCHULTE: AWARD-WINNING COMPOSER-IN-RESIDENCE OF THE HAMILTON PHILHARMONIC DECLARES “WHAT CONCERNS ME IS POP CULTURE REPLACING THE ARTS AS CULTURE, THE DECLINE OF MUSIC EDUCATION IN SCHOOLS, AND THE AGING OF CLASSICAL MUSIC AUDIENCES…A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
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Monthly Archives: February 2011
SOULPEPPER: A MIDSUMMER NIGHT’S DREAM
The near-to-first production I saw of A Midsummer Night’s Dream was the legendary Peter Brook mounting of forty years ago that placed a smugly grand Alan Howard as Oberon on a trapeze. At the end, the cast burst into the … Continue reading
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DANCAP’S SOUTH PACIFIC AT TORONTO CENTRE FOR THE ARTS
South Pacific’s lead characters, ensign Nellie Forbush and Emile de Becque, originate conspicuously from two distinct worlds. She is from Little Rock and exudes an aura of everyday small town folk. She is twangy, good-willed, innocent in the ways of … Continue reading
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SAINT CARMEN OF THE MAIN AT CANADIAN STAGE
The slowly ascending curtain reveals 70s-ish high heels, then some leg, then high hemlines, then fourteen garishly attired members of the Chorus, some of indeterminate gender. These are whores and cross-dressers of every sexual persona, a loud bunch of aggressively … Continue reading
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OPERA HAMILTON POPERA
Opera Hamilton’s last Popera at Hamilton Place, before the company’s move to the more intimate and less pricey Dofasco Centre for the Arts for 2011-2012, was a richly satisfying evening. With David Speers conducting, the orchestra began the overture to … Continue reading
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SOULPEPPER: DAVID MAMET’S OLEANNA
“It’s just a course,” says Prof John. He speaks from the world of academic concept where he, on the verge of tenure, is secure, assertive, intellectually confident, professorally efficient, and a man of patronizing empathy. Yes, he is annoying. But … Continue reading
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TORONTO SYMPHONY ORCHESTRA
First Movement: Press conference regarding the 2011-2012 Season Conductor Peter Oundjian is warmly chatty, richly anecdotal , ingratiating, and gently passionate about music and all else it seems. He tells us he has put together “a bold season” for 2011-12, … Continue reading
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