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Recent Posts
- EYBLER QUARTET’S MASTER TAKE ON HAYDN & JULIA WEDMAN’S MEMORABLY PROBING SONATAS AND PARTITAS OF BACH ….. RECENT PLEASURES IN THE ARTS: NOVEMBER 2024
- AN UNMISSABLE CANDIDA AT THE SHAW FESTIVAL & A PRICELESS JUDI DENCH BOOK, SHAKESPEARE: THE MAN WHO PAYS THE RENT
- RECENT PLEASURES IN THE ARTS—FILMS, BOOKS, CDs
- CROW’S THEATRE DOES AN UNFORGETTABLE UNCLE VANYA AT THEATRE AQUARIUS UNTIL JANUARY 27
- ANNA-JULIA DAVID: SOPRANO HAS “A DREAM COME TRUE” AS SHE DEBUTS WITH OPERA ATELIER AS AMOUR IN GLUCK’S ORPHEUS AND EURIDYCE – OCTOBER 26 TO NOVEMBER 1 AT TORONTO’S ELGIN THEATRE
Recent Comments
- What an Album Release! - Frank Horvat on FRANK HORVAT: “FOR THOSE WHO DIED TRYING” – COMPOSER’S NEW CD ON ATMA, WHICH WAS INSPIRED BY “THE MURDER OR DISAPPEARANCE OF HUMAN RIGHTS ACTIVISTS IN THAILAND,” EXPLAINS, “THE 35-MOVEMENT STRING QUARTET HONOURS EACH VICTIM”…..A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Christos Hatzis on TIM CORLIS: COMPOSER OF SOUNDING THUNDER: THE SONG OF FRANCIS PEGAHMAGABOW, AT TORONTO SUMMER MUSIC FESTIVAL ON JULY 23, REMEMBERS, “THE BIGGEST TURNING POINT IN MY LIFE WAS WHEN I MADE A DECISION TO MEDITATE REGULARLY AND DEVOTE MY ARTISTIC TIME TO WRITING MUSIC THAT SPEAKS FROM THE HEART” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- catherine thompson: canadian long rider, instrument maker, musician, composer, performer, visual and material artist, now in the mountains of northern thailand, declares “it’s important to not get too too comfortable and, in that, whenever possible, i on CATHERINE THOMPSON: CANADIAN LONG RIDER, INSTRUMENT MAKER, MUSICIAN, COMPOSER, PERFORMER, VISUAL AND MATERIAL ARTIST, NOW IN THE MOUNTAINS OF NORTHERN THAILAND, DECLARES “IT’S IMPORTANT TO NOT GET TOO TOO COMFORTABLE AND, IN THAT, WHENEVER POSSIBLE, IT IS VALUABLE TO REMEMBER WHAT IT FEELS LIKE TO BE DIMINISHED, TO BE UNCOMFORTABLE, TO BE IN DANGER.” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Tafel Fan on Contact
- Dudlow on ABIGAIL RICHARDSON-SCHULTE: AWARD-WINNING COMPOSER-IN-RESIDENCE OF THE HAMILTON PHILHARMONIC DECLARES “WHAT CONCERNS ME IS POP CULTURE REPLACING THE ARTS AS CULTURE, THE DECLINE OF MUSIC EDUCATION IN SCHOOLS, AND THE AGING OF CLASSICAL MUSIC AUDIENCES…A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
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Tag Archives: Fiona Reid
STRINDBERG’S THE DANCE OF DEATH AT THE SHAW FESTIVAL: INSIGHTFUL, MOVING, AND UNAVOIDABLE REVELATIONS
Fiona Reid as Alice and Jim Mezon as Edgar in The Dance of Death. Photo by David Cooper. For the Shaw Festival’s production of Strindberg’s The Dance of Death, William Schmuck’s set is an existence-defining circular space with bars on … Continue reading
THE DIVINE: A PLAY FOR SARAH BERNHARDT AT THE SHAW FESTIVAL: A PRODUCTION THAT IS CHALLENGING, REWARDING, AND MEMORABLE THROUGH AND THROUGH
Theatrical, of course. After all, this is a play titled The Divine: A Play for Sarah Bernhardt. But in Michel Marc Bouchard’s new work, we have, as well, theatrical in religion, in industry, in society, in intimate relations, in one’s … Continue reading
THE INTELLIGENT HOMOSEXUAL’S GUIDE TO CAPITALISM AND SOCIALISM WITH A KEY TO THE SCRIPTURES AT THE SHAW FESTIVAL -PROFOUND, MOVING, POTENT AND UNCOMPROMISING- A PRODUCTION THAT ALL SHOULD SEE
The Shaw Festival’s production of Tony Kushner’s “The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures” resonates with deep and elusive truth on a number of levels. We in the audience cannot avoid what we … Continue reading
Posted in Shaw Festival, shaw festival, Uncategorized
Tagged Andre Sills, Ben Sanders, Diana Donnelly, Fiona Reid, Gray Powell, Jasmine Chen, Jim Mezon, Julie Martell, Kelly Fox, Shaw Festival, Steven Sutcliffe, The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, Thom Marriott, Tony Kushner
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THE CHARITY THAT BEGAN AT HOME: CAST AND DIRECTOR CHRISTOPHER NEWTON IN BRILLIANT FORM AS THE SHAW FESTIVAL RETRIEVES A FORGOTTEN GEM
If The Sea, though first produced in 1973, is set in 1907, the rarely produced The Charity that Began at Home by St John Hankin, another theatrical gem at the 2014 Shaw Festival, was actually mounted on stage a year … Continue reading
SHAW FESTIVAL PRESENTS A COMPLEX, INTENSE, FUNNY, AND THEATRICALLY BRILLIANT PRODUCTION OF EDWARD BOND’S THE SEA
A young man and a young woman, respectively, turn and turn a wind machine and, with increasing urgency, shake a metal sheet that one uses in theatre to effect a storm. They seem delighted with their theatrical devices and certainly, … Continue reading
Posted in shaw festival, Uncategorized
Tagged Eda Holmes, Edward Bond, Edward Bond The Sea, Fiona Reid, Shaw Festival, The Sea
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