Tag Archives: Jackie Maxwell

MOYA O’CONNELL: ACTRESS AND SHAW FESTIVAL MAINSTAY DISCUSSES THEATRE AND HER CREATIVE LIFE -“I ONLY ASK THAT THE AUDIENCE ALLOW THEMSELVES TO BE OPEN. I WANT THEM TO GIVE THEMSELVES TO ME. I WANT THEM TO BE MY PARTNER IN ADVENTURE.” — A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS

JAMES STRECKER: If you were asked for 50 words for an encyclopedia to summarize what you do, or have done, in the arts, what would you say? MOYA O’CONNEL: Canadian theatre actress. Anglo-Irish heritage. Spent 6 seasons at Bard on … Continue reading

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RECENT PLEASURES: A REVIEWER’S NOTES ON ELISABETH LOUISE VIGEE LE BRUN, PETER TOGNI WITH STACIE DUNLOP, AND THE DEPARTING JACKIE MAXWELL OF THE SHAW FESTIVAL –THANK YOU, JACKIE!

PLEASURE 1: Several years ago I was walking through London’s National Gallery on the way to view The Adoration of the Shepherds from about 1640 by the Le Nain Brothers. Was this profoundly gentle painting more the work of Antoine? … Continue reading

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UNCLE VANYA AT THE SHAW FESTIVAL: VERY HUMAN AND POETIC AND REAL

Moya O’Connell as Yelena and Neil Barclay as Vanya in Chekhov’s Uncle Vanya The Shaw Festival’s production of Uncle Vanya is top-notch for a number of reasons. We believe these lives before us as lives actually lived in what they … Continue reading

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THE DIVINE: A PLAY FOR SARAH BERNHARDT AT THE SHAW FESTIVAL: A PRODUCTION THAT IS CHALLENGING, REWARDING, AND MEMORABLE THROUGH AND THROUGH

Theatrical, of course. After all, this is a play titled The Divine: A Play for Sarah Bernhardt. But in Michel Marc Bouchard’s new work, we have, as well, theatrical in religion, in industry, in society, in intimate relations, in one’s … Continue reading

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PETER AND THE STARCATCHER, TOP GIRLS, THE BUFFALO PHILHARMONIC AND A VEGAN WEEKEND AT THE SHAW FESTIVAL –PART II

Photos by David Cooper It’s like a playful dare when Jenny L. Wright as Teacher turns to her audience and says “You may think we have gone too far.” But that is the point of Jackie Maxwell’s production of Peter … Continue reading

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IBSEN’S THE LADY FROM THE SEA AT THE SHAW FESTIVAL: ANOTHER MUST-SEE GEM IN THE COURTHOUSE THEATRE

A naked woman lies atop a solitary, eroded, but commanding rock formation. A duet of female voices is gradually consumed by an electronic soundscape. The woman turns away from the spirit-dominating darkness around her and, looking toward us, seems consumed … Continue reading

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LAUGHTER UNCONFINED: SHAW’S YOU NEVER CAN TELL AT THE SHAW FESTIVAL TO OCTOBER 25

A few seconds of animation footage of a boat directed full speed ahead at the audience, a floating inflated fish and bubbles ascending merrily, and one feels present here the spirit, perhaps, of Terry Gilliam of Monty Python days. And … Continue reading

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A POIGNANT AND FINELY MODULATED JUNO AND THE PAYCOCK AT THE SHAW FESTIVAL

These are poor people in “the Boyle family’s two-roomed flat in a tenement house in Dublin,1922” and at the outset of Sean O’Casey’s Juno and the Paycock, Marla McLean as daughter Mary spiffs up her shoes with her bare hand. … Continue reading

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