-
Recent Posts
- (no title)
- AN UNMISSABLE CANDIDA AT THE SHAW FESTIVAL & A PRICELESS JUDI DENCH BOOK, SHAKESPEARE: THE MAN WHO PAYS THE RENT
- RECENT PLEASURES IN THE ARTS—FILMS, BOOKS, CDs
- CROW’S THEATRE DOES AN UNFORGETTABLE UNCLE VANYA AT THEATRE AQUARIUS UNTIL JANUARY 27
- ANNA-JULIA DAVID: SOPRANO HAS “A DREAM COME TRUE” AS SHE DEBUTS WITH OPERA ATELIER AS AMOUR IN GLUCK’S ORPHEUS AND EURIDYCE – OCTOBER 26 TO NOVEMBER 1 AT TORONTO’S ELGIN THEATRE
Recent Comments
- What an Album Release! - Frank Horvat on FRANK HORVAT: “FOR THOSE WHO DIED TRYING” – COMPOSER’S NEW CD ON ATMA, WHICH WAS INSPIRED BY “THE MURDER OR DISAPPEARANCE OF HUMAN RIGHTS ACTIVISTS IN THAILAND,” EXPLAINS, “THE 35-MOVEMENT STRING QUARTET HONOURS EACH VICTIM”…..A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Christos Hatzis on TIM CORLIS: COMPOSER OF SOUNDING THUNDER: THE SONG OF FRANCIS PEGAHMAGABOW, AT TORONTO SUMMER MUSIC FESTIVAL ON JULY 23, REMEMBERS, “THE BIGGEST TURNING POINT IN MY LIFE WAS WHEN I MADE A DECISION TO MEDITATE REGULARLY AND DEVOTE MY ARTISTIC TIME TO WRITING MUSIC THAT SPEAKS FROM THE HEART” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- catherine thompson: canadian long rider, instrument maker, musician, composer, performer, visual and material artist, now in the mountains of northern thailand, declares “it’s important to not get too too comfortable and, in that, whenever possible, i on CATHERINE THOMPSON: CANADIAN LONG RIDER, INSTRUMENT MAKER, MUSICIAN, COMPOSER, PERFORMER, VISUAL AND MATERIAL ARTIST, NOW IN THE MOUNTAINS OF NORTHERN THAILAND, DECLARES “IT’S IMPORTANT TO NOT GET TOO TOO COMFORTABLE AND, IN THAT, WHENEVER POSSIBLE, IT IS VALUABLE TO REMEMBER WHAT IT FEELS LIKE TO BE DIMINISHED, TO BE UNCOMFORTABLE, TO BE IN DANGER.” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Tafel Fan on Contact
- Dudlow on ABIGAIL RICHARDSON-SCHULTE: AWARD-WINNING COMPOSER-IN-RESIDENCE OF THE HAMILTON PHILHARMONIC DECLARES “WHAT CONCERNS ME IS POP CULTURE REPLACING THE ARTS AS CULTURE, THE DECLINE OF MUSIC EDUCATION IN SCHOOLS, AND THE AGING OF CLASSICAL MUSIC AUDIENCES…A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
Archives
- November 2024
- August 2024
- February 2024
- January 2024
- October 2023
- July 2023
- June 2023
- May 2023
- March 2023
- December 2022
- October 2022
- September 2022
- July 2022
- June 2022
- May 2022
- March 2022
- September 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- January 2017
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- March 2015
- February 2015
- January 2015
- December 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- February 2014
- December 2013
- November 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
Categories
- art & photography
- articles by james strecker
- Canadian Stage
- Compact Discs
- film & television
- Hamilton Philharmonic
- Interviews from Music
- Interviews from Theatre
- Interviews with Dancers
- Interviews with Writers
- Opera Hamilton
- Shaw Festival
- shaw festival
- Soulpepper Theatre
- Stratford Shakespeare Festival
- Tafelmusik
- the arts
- Toronto Symphony Orchestra
- Uncategorized
Meta
Tag Archives: Marshall Pynkoski
MARSHALL PYNKOSKI: OPERA ATELIER’S CO-ARTISTIC DIRECTOR DISCUSSES HANDEL’S THE RESURRECTION DUE AT KOERNER HALL ON APRIL 6, 8, & 9…… A REVIEWER INTERVIEWS PEOPLE IN THE ARTS
JAMES STRECKER: Your production of The Resurrection was already presented digitally in 2021, so what reasons have you for recommending the upcoming live performance? MARSHALL PYNKOSKI: In the broadest sense, we believe there is no comparison between a film performance … Continue reading
MARSHALL PYNKOSKI, FOUNDING CO-ARTISTIC DIRECTOR OF OPERA ATELIER, ON THE COMPANY’S RETURN TO THE ELGIN THEATRE WITH PURCELL’S DIDO AND AENEAS, “THE GREATEST OPERA WRITTEN IN THE ENGLISH LANGUAGE”….. A REVIEWER INTERVIEWS PEOPLE IN THE ARTS
JAMES STRECKER: You have told us that Dido and Aeneas is “Opera Atelier’s most internationally-acclaimed production” and I’d love to know more. First, which of the international venues and audiences provided you with especially memorable experiences, ones that still remain … Continue reading
Posted in Uncategorized
Tagged Dido and Aeneas, Elgin Theatre, Marshall Pynkoski, Opera Atelier
Leave a comment