Tag Archives: moya o’connell

MOYA O’CONNELL: ACTRESS AND SHAW FESTIVAL MAINSTAY DISCUSSES THEATRE AND HER CREATIVE LIFE -“I ONLY ASK THAT THE AUDIENCE ALLOW THEMSELVES TO BE OPEN. I WANT THEM TO GIVE THEMSELVES TO ME. I WANT THEM TO BE MY PARTNER IN ADVENTURE.” — A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS

JAMES STRECKER: If you were asked for 50 words for an encyclopedia to summarize what you do, or have done, in the arts, what would you say? MOYA O’CONNEL: Canadian theatre actress. Anglo-Irish heritage. Spent 6 seasons at Bard on … Continue reading

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ALICE IN WONDERLAND AT THE SHAW FESTIVAL: SPECTACULAR SETTINGS, INTRIGUING CHARACTERS, CONSTANT FLUX

In adapter-director Peter Hinton’s take on Alice in Wonderland at the Shaw Festival, Tara Rosling’s Alice brings an intriguing ambiguity of person to the table, with child and adult both decidedly present. Alice the intended child is unstoppable, a self-propelled … Continue reading

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UNCLE VANYA AT THE SHAW FESTIVAL: VERY HUMAN AND POETIC AND REAL

Moya O’Connell as Yelena and Neil Barclay as Vanya in Chekhov’s Uncle Vanya The Shaw Festival’s production of Uncle Vanya is top-notch for a number of reasons. We believe these lives before us as lives actually lived in what they … Continue reading

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SHAW FESTIVAL: J. M. BARRIE’S THE TWELVE POUND LOOK & MOSS HART’S LIGHT UP THE SKY

THE TWELVE POUND LOOK The typist, Kate, played by Moya O’Connell, is unknowingly hired by Lady Sims, played by Kate Besworth, to do some work for Sir Harry Sims, played by Patrick Galligan, and Kate turns out to be his … Continue reading

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IBSEN’S THE LADY FROM THE SEA AT THE SHAW FESTIVAL: ANOTHER MUST-SEE GEM IN THE COURTHOUSE THEATRE

A naked woman lies atop a solitary, eroded, but commanding rock formation. A duet of female voices is gradually consumed by an electronic soundscape. The woman turns away from the spirit-dominating darkness around her and, looking toward us, seems consumed … Continue reading

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THE PHILADELPHIA STORY: MOYA O’CONNELL CLAIMS TRACY LORD AS HER OWN

On the day of Tracy Lord’s second shot at marriage, we have a diverse bunch of mostly upper crust folks before us. Little sister Dinah is played bubbly with existence and prone to mispronunciation, in her saddle shoes, by Tess … Continue reading

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THE PHILANDERER BY SHAW AT THE SHAW FESTIVAL: “I LAUGHED WITH DELIGHT FROM BEGINNING TO END”

OR THIS….. For maybe four decades, on every trip to London, I have made it a point to visit the National Portrait Gallery and sink, each time, into the gaze of one or two different female subjects who hang there … Continue reading

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