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Recent Posts
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- AN UNMISSABLE CANDIDA AT THE SHAW FESTIVAL & A PRICELESS JUDI DENCH BOOK, SHAKESPEARE: THE MAN WHO PAYS THE RENT
- RECENT PLEASURES IN THE ARTS—FILMS, BOOKS, CDs
- CROW’S THEATRE DOES AN UNFORGETTABLE UNCLE VANYA AT THEATRE AQUARIUS UNTIL JANUARY 27
- ANNA-JULIA DAVID: SOPRANO HAS “A DREAM COME TRUE” AS SHE DEBUTS WITH OPERA ATELIER AS AMOUR IN GLUCK’S ORPHEUS AND EURIDYCE – OCTOBER 26 TO NOVEMBER 1 AT TORONTO’S ELGIN THEATRE
Recent Comments
- What an Album Release! - Frank Horvat on FRANK HORVAT: “FOR THOSE WHO DIED TRYING” – COMPOSER’S NEW CD ON ATMA, WHICH WAS INSPIRED BY “THE MURDER OR DISAPPEARANCE OF HUMAN RIGHTS ACTIVISTS IN THAILAND,” EXPLAINS, “THE 35-MOVEMENT STRING QUARTET HONOURS EACH VICTIM”…..A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Christos Hatzis on TIM CORLIS: COMPOSER OF SOUNDING THUNDER: THE SONG OF FRANCIS PEGAHMAGABOW, AT TORONTO SUMMER MUSIC FESTIVAL ON JULY 23, REMEMBERS, “THE BIGGEST TURNING POINT IN MY LIFE WAS WHEN I MADE A DECISION TO MEDITATE REGULARLY AND DEVOTE MY ARTISTIC TIME TO WRITING MUSIC THAT SPEAKS FROM THE HEART” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- catherine thompson: canadian long rider, instrument maker, musician, composer, performer, visual and material artist, now in the mountains of northern thailand, declares “it’s important to not get too too comfortable and, in that, whenever possible, i on CATHERINE THOMPSON: CANADIAN LONG RIDER, INSTRUMENT MAKER, MUSICIAN, COMPOSER, PERFORMER, VISUAL AND MATERIAL ARTIST, NOW IN THE MOUNTAINS OF NORTHERN THAILAND, DECLARES “IT’S IMPORTANT TO NOT GET TOO TOO COMFORTABLE AND, IN THAT, WHENEVER POSSIBLE, IT IS VALUABLE TO REMEMBER WHAT IT FEELS LIKE TO BE DIMINISHED, TO BE UNCOMFORTABLE, TO BE IN DANGER.” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Tafel Fan on Contact
- Dudlow on ABIGAIL RICHARDSON-SCHULTE: AWARD-WINNING COMPOSER-IN-RESIDENCE OF THE HAMILTON PHILHARMONIC DECLARES “WHAT CONCERNS ME IS POP CULTURE REPLACING THE ARTS AS CULTURE, THE DECLINE OF MUSIC EDUCATION IN SCHOOLS, AND THE AGING OF CLASSICAL MUSIC AUDIENCES…A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
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Tag Archives: Stacie Dunlop
STACIE DUNLOP – WHAT’S NEXT? SOPRANO’S WORK IN PROGRESS REIMAGINES VIVIER’S ICONIC LONELY CHILD FOR ENSEMBLE OF 8 PLAYERS, 2 CIRCUS ARTISTS AND HERSELF WEAVING STORY AND CHOREOGRAPHY BOTH ‘ON THE GROUND AND IN THE AIR,’ PLUS ON SEPTEMBER 21 WITH THE HAMILTON PHILHARMONIC SINGING ABBY RICHARDSON-SCHULTE AND THE SIBELIUS LUONNOTAR
JAMES STRECKER: Please tell us what you want the public to know about your recent completed projects or the ones you are actively working on. What is each one, why is it, and how was/is it done? STACIE DUNLOP: This … Continue reading
RECENT PLEASURES: A REVIEWER’S NOTES ON ELISABETH LOUISE VIGEE LE BRUN, PETER TOGNI WITH STACIE DUNLOP, AND THE DEPARTING JACKIE MAXWELL OF THE SHAW FESTIVAL –THANK YOU, JACKIE!
PLEASURE 1: Several years ago I was walking through London’s National Gallery on the way to view The Adoration of the Shepherds from about 1640 by the Le Nain Brothers. Was this profoundly gentle painting more the work of Antoine? … Continue reading
STACIE DUNLOP: AN INTERVIEW WITH THE SOPRANO OF “CUTTING EDGE CONTEMPORARY CREATIONS” IN CLASSCAL MUSIC: A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
JAMES STRECKER: If you were asked for 50 words for an encyclopedia to summarize what you do, what would you say? STACIE DUNLOP: Stacie Dunlop is a passionate performer of new music, producer of cutting edge contemporary creations and an … Continue reading