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- EYBLER QUARTET’S MASTER TAKE ON HAYDN & JULIA WEDMAN’S MEMORABLY PROBING SONATAS AND PARTITAS OF BACH ….. RECENT PLEASURES IN THE ARTS: NOVEMBER 2024
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- ANNA-JULIA DAVID: SOPRANO HAS “A DREAM COME TRUE” AS SHE DEBUTS WITH OPERA ATELIER AS AMOUR IN GLUCK’S ORPHEUS AND EURIDYCE – OCTOBER 26 TO NOVEMBER 1 AT TORONTO’S ELGIN THEATRE
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- What an Album Release! - Frank Horvat on FRANK HORVAT: “FOR THOSE WHO DIED TRYING” – COMPOSER’S NEW CD ON ATMA, WHICH WAS INSPIRED BY “THE MURDER OR DISAPPEARANCE OF HUMAN RIGHTS ACTIVISTS IN THAILAND,” EXPLAINS, “THE 35-MOVEMENT STRING QUARTET HONOURS EACH VICTIM”…..A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Christos Hatzis on TIM CORLIS: COMPOSER OF SOUNDING THUNDER: THE SONG OF FRANCIS PEGAHMAGABOW, AT TORONTO SUMMER MUSIC FESTIVAL ON JULY 23, REMEMBERS, “THE BIGGEST TURNING POINT IN MY LIFE WAS WHEN I MADE A DECISION TO MEDITATE REGULARLY AND DEVOTE MY ARTISTIC TIME TO WRITING MUSIC THAT SPEAKS FROM THE HEART” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- catherine thompson: canadian long rider, instrument maker, musician, composer, performer, visual and material artist, now in the mountains of northern thailand, declares “it’s important to not get too too comfortable and, in that, whenever possible, i on CATHERINE THOMPSON: CANADIAN LONG RIDER, INSTRUMENT MAKER, MUSICIAN, COMPOSER, PERFORMER, VISUAL AND MATERIAL ARTIST, NOW IN THE MOUNTAINS OF NORTHERN THAILAND, DECLARES “IT’S IMPORTANT TO NOT GET TOO TOO COMFORTABLE AND, IN THAT, WHENEVER POSSIBLE, IT IS VALUABLE TO REMEMBER WHAT IT FEELS LIKE TO BE DIMINISHED, TO BE UNCOMFORTABLE, TO BE IN DANGER.” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
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Tag Archives: Dido and Aeneas
MARSHALL PYNKOSKI, FOUNDING CO-ARTISTIC DIRECTOR OF OPERA ATELIER, ON THE COMPANY’S RETURN TO THE ELGIN THEATRE WITH PURCELL’S DIDO AND AENEAS, “THE GREATEST OPERA WRITTEN IN THE ENGLISH LANGUAGE”….. A REVIEWER INTERVIEWS PEOPLE IN THE ARTS
JAMES STRECKER: You have told us that Dido and Aeneas is “Opera Atelier’s most internationally-acclaimed production” and I’d love to know more. First, which of the international venues and audiences provided you with especially memorable experiences, ones that still remain … Continue reading
Posted in Uncategorized
Tagged Dido and Aeneas, Elgin Theatre, Marshall Pynkoski, Opera Atelier
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