Tag Archives: Opera Atelier

ISAIAH BELL: TENOR CURRENTLY IN MONTEVERDI’S RETURN OF ULYSSES (OPERA ATELIER), OCTOBER 2018 IN RUFUS WAINWRIGHT’S HADRIAN (COC), AND LATER IN HIS OWN CREATION THE BOOK OF MY SHAMES (TAPESTRY OPERA), DECLARES “ALTHOUGH THE INTERNET MAY HAVE SHORTENED OUR ATTENTION SPANS, I DON’T BELIEVE IT HAS DIMINISHED OUR BASIC DESIRE FOR QUALITY COMMUNICATION… THINGS THAT WERE PREVIOUSLY OBSCURED BEHIND VEILS OF HIGH CULTURE CAN (NOW) BE SEEN UP CLOSE” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS

JAMES STRECKER: If you were asked for 50 words for an encyclopedia to summarize what you do, or have done, in the arts, what would you say? ISAIAH BELL: I’m a tenor working in the Classical tradition. Currently I sing … Continue reading

Posted in Uncategorized | Tagged , , , , , , , | Leave a comment

MARSHALL PYNKOSKI: OPERA ATELIER’S THE MARRIAGE OF FIGARO RUNS OCT. 26-NOV. 4, 2017 AND ITS CO-ARTISTIC DIRECTOR AND FOUNDER EXPLAINS “FIGARO IS A PERFECT OPERA – IT NEVER PALES. IT IS A PRIVILEGE TO BE ABLE TO INTERPRET THIS POIGNANT COMIC MASTERPIECE. EVERY TIME YOU PRODUCE FIGARO IT IMPACTS YOUR LIFE IN A PROFOUND WAY”…….A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS

Marshall Pynkoski & Jeannette Lajeunesse Zingg JAMES STRECKER: 1 If you were asked for 50 words for an encyclopedia to summarize what you do, or have done, in the arts, what would you say? MARSHALL PYNKOSKI: I’ve spent a lifetime … Continue reading

Posted in Uncategorized | Tagged , , | Leave a comment

OPERA ATELIER: LA CLEMENZA DI TITO

In Opera Atelier’s production of Mozart’s La Clemenza di Tito, now at the Elgin Theatre in Toronto, Measha Brueggergosman’s Vitellia is an immediate thrilling creation. She is dynamic, eruptive, self-indulgent, confrontational, full of demons urging her on, and quite at … Continue reading

Posted in Uncategorized | Tagged , , , | Leave a comment