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Recent Posts
- MARTIN CARTHY, EWAN MACCOLL, PEER GYNT (OR WAS THAT GNIT?), BAREND SCHIPPER, MOZART, AND MY BOOK ON CREATIVITY IS FINALLY WRITTEN….JAMES STRECKER REVIEWS THE ARTS
- TRIPPING A THIRD TIME ON GNIT AT THE SHAW FESTIVAL ………JAMES STRECKER REVIEWS THE ARTS
- GNIT AT THE SHAW FESTIVAL: THE ELEMENTS SO MIXED IN IT THAT WE MIGHT SAY TO ALL THE WORLD “THIS IS BRILLIANT THEATRE” ….JAMES STRECKER REVIEWS THE ARTS
- PINTER AT SOULPEPPER AND SHAW (WITH MRS PAT) AT THE SHAW FESTIVAL, JAMES STRECKER REVIEWS THE ARTS
- MERRILY OVER THE SPEED LIMIT IN “TONS OF MONEY” AT THE SHAW FESTIVAL
Recent Comments
- What an Album Release! - Frank Horvat on FRANK HORVAT: “FOR THOSE WHO DIED TRYING” – COMPOSER’S NEW CD ON ATMA, WHICH WAS INSPIRED BY “THE MURDER OR DISAPPEARANCE OF HUMAN RIGHTS ACTIVISTS IN THAILAND,” EXPLAINS, “THE 35-MOVEMENT STRING QUARTET HONOURS EACH VICTIM”…..A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- Christos Hatzis on TIM CORLIS: COMPOSER OF SOUNDING THUNDER: THE SONG OF FRANCIS PEGAHMAGABOW, AT TORONTO SUMMER MUSIC FESTIVAL ON JULY 23, REMEMBERS, “THE BIGGEST TURNING POINT IN MY LIFE WAS WHEN I MADE A DECISION TO MEDITATE REGULARLY AND DEVOTE MY ARTISTIC TIME TO WRITING MUSIC THAT SPEAKS FROM THE HEART” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
- catherine thompson: canadian long rider, instrument maker, musician, composer, performer, visual and material artist, now in the mountains of northern thailand, declares “it’s important to not get too too comfortable and, in that, whenever possible, i on CATHERINE THOMPSON: CANADIAN LONG RIDER, INSTRUMENT MAKER, MUSICIAN, COMPOSER, PERFORMER, VISUAL AND MATERIAL ARTIST, NOW IN THE MOUNTAINS OF NORTHERN THAILAND, DECLARES “IT’S IMPORTANT TO NOT GET TOO TOO COMFORTABLE AND, IN THAT, WHENEVER POSSIBLE, IT IS VALUABLE TO REMEMBER WHAT IT FEELS LIKE TO BE DIMINISHED, TO BE UNCOMFORTABLE, TO BE IN DANGER.” … A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
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- Dudlow on ABIGAIL RICHARDSON-SCHULTE: AWARD-WINNING COMPOSER-IN-RESIDENCE OF THE HAMILTON PHILHARMONIC DECLARES “WHAT CONCERNS ME IS POP CULTURE REPLACING THE ARTS AS CULTURE, THE DECLINE OF MUSIC EDUCATION IN SCHOOLS, AND THE AGING OF CLASSICAL MUSIC AUDIENCES…A REVIEWER’S INTERVIEW WITH PEOPLE IN THE ARTS
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Category Archives: Uncategorized
MARTIN CARTHY, EWAN MACCOLL, PEER GYNT (OR WAS THAT GNIT?), BAREND SCHIPPER, MOZART, AND MY BOOK ON CREATIVITY IS FINALLY WRITTEN….JAMES STRECKER REVIEWS THE ARTS
Early in my career at Sheridan College, which began with a room full of 200 nurses for two years, I was asked if I was next willing to take on another satellite campus, this one dubbed The School of Crafts … Continue reading
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TRIPPING A THIRD TIME ON GNIT AT THE SHAW FESTIVAL ………JAMES STRECKER REVIEWS THE ARTS
This happened to me at least twice in London, the need to see the same production of a play three times. The first play was The Best of Friends, in 1988 at the Apollo Theatre, and it featured John Gielgud, … Continue reading
GNIT AT THE SHAW FESTIVAL: THE ELEMENTS SO MIXED IN IT THAT WE MIGHT SAY TO ALL THE WORLD “THIS IS BRILLIANT THEATRE” ….JAMES STRECKER REVIEWS THE ARTS
It is typical of playwright Will Eno’s writing in Gnit, now at the Shaw Festival, that in but a few words he can evoke the pulsations of each character’s state of being. He is also most able in capturing concisely … Continue reading
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PINTER AT SOULPEPPER AND SHAW (WITH MRS PAT) AT THE SHAW FESTIVAL, JAMES STRECKER REVIEWS THE ARTS
OLD TIMES BY HAROLDPINTER Before the current run of Old Times at Toronto’s Soulpepper, the last time I saw a performance of a Pinter play was in 2018 at the former Comedy Theatre now renamed the Harold Pinter Theatre near … Continue reading
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MERRILY OVER THE SPEED LIMIT IN “TONS OF MONEY” AT THE SHAW FESTIVAL
“Tons of Money” Shaw Festival 2025 I usually return from performances at the Shaw Festival – with its invigorating standards in acting, direction, design and production – as a somewhat changed individual. I have been inwardly moved, delighted, and eased … Continue reading
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BIRTHDAY BLOG APRIL 15…..JAMES STRECKER REVIEWS THE ARTS
Today is my birthday and, since I don’t feel up to two hours at the seniors’ gym at McMaster University, I shall listen instead to favorite recordings and try to conquer a steadily growing list of things I must – … Continue reading
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AN UNMISSABLE CANDIDA AT THE SHAW FESTIVAL & A PRICELESS JUDI DENCH BOOK, SHAKESPEARE: THE MAN WHO PAYS THE RENT
I’ve long maintained that an exceptional production of a play by, say, Shaw is much akin to a memorable concert of, say, Beethoven. Try this synchronicity. The August issue of Gramophone was sitting in our mailbox, when I arrived home … Continue reading
RECENT PLEASURES IN THE ARTS—FILMS, BOOKS, CDs
photo of John Whiting I’ve seen Carol Reed’s The Third Man many times – it’s one of my favourite films, after all. But after a recent viewing, I finally decided, as well, to read Graham Greene’s “Cold War classic novella,” … Continue reading
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CROW’S THEATRE DOES AN UNFORGETTABLE UNCLE VANYA AT THEATRE AQUARIUS UNTIL JANUARY 27
Back in 1994, while in the middle of several intense writing projects, I took ten days in London as a needed sanity break. In turn, I ended up at the at the Royal National Theatre sharing eye level with the … Continue reading
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Tagged Anton Chekhov, Theatre Aquarius, tom Rooney, Uncle Vanya
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